1
00:01:37,560 --> 00:01:41,480
Resistance to Nazi-fascism is taking place
date back to September 1943.

2
00:01:42,360 --> 00:01:46,780
The Committee was born on 9 September in Rome
of National Liberation. Soldiers and

3
00:01:46,780 --> 00:01:50,060
people find themselves side by side in the struggle
against the German occupier.

4
00:01:50,300 --> 00:01:53,300
Other similar episodes occur in
Italy and abroad.

5
00:01:53,520 --> 00:01:56,480
I don't care about that
whore. She can get fucked by whoever she is

6
00:01:56,480 --> 00:01:57,480
apparently, do you understand?

7
00:01:59,320 --> 00:02:02,740
Why didn't you answer me last night?
on the phone? Because I went out with a

8
00:02:02,740 --> 00:02:04,680
friend and I forgot my cell phone
house.

9
00:02:04,940 --> 00:02:05,940
Non si potrebbe però comprendere...

10
00:02:12,640 --> 00:02:13,640
Basta,

11
00:02:17,920 --> 00:02:20,060
Malcolm! Esci immediatamente da questa
classe!

12
00:02:23,040 --> 00:02:24,140
Questa me la paghi.

13
00:02:30,380 --> 00:02:31,380
Andiamo avanti.

14
00:02:34,630 --> 00:02:36,350
You're so beautiful this morning.

15
00:02:36,670 --> 00:02:38,850
Thank you. You too, though.

16
00:02:39,170 --> 00:02:41,310
Listen. I know what you're thinking.

17
00:02:41,970 --> 00:02:44,250
What, Porcellina?

18
00:02:44,490 --> 00:02:46,690
You're the one who always thinks about
that.

19
00:02:47,370 --> 00:02:48,710
Yes, you're right.

20
00:02:49,130 --> 00:02:50,770
But I like you so much.

21
00:02:51,050 --> 00:02:52,050
I like you too.

22
00:02:52,590 --> 00:02:53,590
I'm so hungry.

23
00:02:54,670 --> 00:02:55,670
For you.

24
00:03:12,330 --> 00:03:13,510
And what do you want?

25
00:03:14,270 --> 00:03:15,610
Nothing, I was just looking.

26
00:03:16,170 --> 00:03:18,530
Why don't you come with us instead of
looking there?

27
00:03:33,960 --> 00:03:39,320
In the first semester of 1921, the
fascist squads set fire to 119

28
00:03:39,320 --> 00:03:44,020
workplaces, 59 houses of the people...
Hey, Lila, why did you argue this time?

29
00:03:44,140 --> 00:03:47,180
I don't want to talk to you. What do I
care?

30
00:03:47,560 --> 00:03:48,560
Nothing.

31
00:03:49,120 --> 00:03:50,880
You're a friend of that bastard.

32
00:03:51,280 --> 00:03:52,280
Go to hell.

33
00:03:53,080 --> 00:03:56,680
This happened with the acquiescence of
the liberal government, whose

34
00:03:56,680 --> 00:03:57,680
prefects...

35
00:05:09,930 --> 00:05:10,930
See you.

36
00:05:41,000 --> 00:05:42,000
Thank you.

37
00:06:21,690 --> 00:06:24,490
um um

38
00:06:53,480 --> 00:06:54,480
I'm sorry.

39
00:07:36,300 --> 00:07:37,300
Mm-hmm.

40
00:07:39,440 --> 00:07:40,440
Mm-hmm.

41
00:08:07,020 --> 00:08:08,020
Thank you.

42
00:08:42,350 --> 00:08:43,350
um

43
00:09:30,380 --> 00:09:31,380
Boom.

44
00:10:16,360 --> 00:10:17,360
Thank you.

45
00:11:06,160 --> 00:11:07,160
Yeah.

46
00:14:53,910 --> 00:14:56,710
Thank you.

47
00:23:34,250 --> 00:23:35,250
Mm-mm.

48
00:24:26,190 --> 00:24:27,190
Boo.

49
00:25:37,390 --> 00:25:38,390
Oh.

50
00:27:01,640 --> 00:27:02,640
Uh, bingo.

51
00:28:02,730 --> 00:28:03,730
Excuse me.

52
00:28:03,810 --> 00:28:04,810
Come in.

53
00:28:06,870 --> 00:28:07,870
What are you doing here?

54
00:28:09,930 --> 00:28:10,889
Nothing serious.

55
00:28:10,890 --> 00:28:12,390
I just wanted to talk to you in private.

56
00:28:12,910 --> 00:28:14,070
Tell me, I'm listening.

57
00:28:14,550 --> 00:28:19,630
You see, professor, I went to eat pizza
with my friends last night. And then?

58
00:28:20,830 --> 00:28:21,990
I went to the factory.

59
00:28:23,310 --> 00:28:25,170
They make the best pizza in the city.

60
00:28:26,070 --> 00:28:29,970
Where do you want to go, Greg? You see,
I'm a serious person.

61
00:28:30,320 --> 00:28:32,780
I would never allow myself to take
advantage of a moment of difficulty

62
00:28:32,780 --> 00:28:37,320
because I'm sure he would have problems
confessing to his husband that he was

63
00:28:37,320 --> 00:28:38,320
there with his lover.

64
00:28:38,400 --> 00:28:41,140
They all noticed, you know? But I
convinced my friends to be quiet.

65
00:28:41,360 --> 00:28:42,920
Don't you think you deserve something in
return?

66
00:28:53,060 --> 00:28:54,380
Come, the car is here.

67
00:28:54,700 --> 00:28:55,700
Where do you want to go?

68
00:28:57,240 --> 00:28:59,160
Wait, give me a kiss.

69
00:28:59,950 --> 00:29:02,150
Ma sei matta? Mia moglie torna tra poco.

70
00:30:02,800 --> 00:30:03,800
No.

71
00:34:15,469 --> 00:34:16,690
Mmm. Mmm.

72
00:36:40,590 --> 00:36:41,590
Oh.

73
00:37:50,060 --> 00:37:51,060
No

74
00:38:24,640 --> 00:38:26,040
Ugh.

75
00:40:22,060 --> 00:40:23,460
Oh.

76
00:41:20,560 --> 00:41:21,960
Oh.

77
00:41:23,500 --> 00:41:24,500
Oh.

78
00:42:48,029 --> 00:42:50,830
I'm sorry.

79
00:43:15,379 --> 00:43:17,360
I'm sorry.

80
00:44:35,210 --> 00:44:36,530
Take off your glasses, Professor.

81
00:44:37,550 --> 00:44:40,390
You are truly a splendid woman. Do you
know that?

82
00:49:19,560 --> 00:49:20,560
OOF

83
00:55:16,460 --> 00:55:17,460
Ugh.

84
00:56:33,770 --> 00:56:34,770
Oh!

85
01:00:27,180 --> 01:00:28,180
Thank you.

86
01:01:52,300 --> 01:01:53,300
Thank you.

87
01:02:49,640 --> 01:02:51,940
Un amico anonimo ti ha vendicato,
Francesco.

88
01:02:52,660 --> 01:02:53,660
Vendicato di cosa?

89
01:02:55,340 --> 01:02:58,880
Come di cosa? Ho punito la professoressa
I love you for kicking you out of class.

90
01:02:59,020 --> 01:03:00,020
Aren't you happy?

91
01:03:00,720 --> 01:03:02,500
Thanks, but you could have saved it.

92
01:03:02,760 --> 01:03:04,760
Tomorrow I'll tell you exactly what it is
success.

93
01:03:05,000 --> 01:03:07,740
If you can, what do you do? Come or don't come to
home to study?

94
01:03:08,180 --> 01:03:09,520
No, thanks, I really can't.

95
01:03:09,860 --> 01:03:12,580
I'm finally going out with Serena. This evening
I'll take her to the cinema.

96
01:03:13,440 --> 01:03:15,860
You need to take her to the cinema for
fuck her.

97
01:03:16,620 --> 01:03:20,240
You're still the same pig, Francesco.
Serena is a good girl. I can't do it

98
01:03:20,240 --> 01:03:22,840
treat like other sluts who
we hang out. Don't you think so?

99
01:03:23,820 --> 01:03:24,820
All right.

100
01:03:24,880 --> 01:03:27,160
So, have fun. We will see each other
tomorrow at school.

101
01:03:27,360 --> 01:03:28,360
HI. HI.

102
01:03:31,360 --> 01:03:32,360
Who was he?

103
01:03:33,480 --> 01:03:34,540
My friend Greg.

104
01:03:34,960 --> 01:03:35,960
And what did he want?

105
01:03:37,180 --> 01:03:40,520
Nothing, that's a force of nature.
Only I can stand up to him.

106
01:03:41,060 --> 01:03:42,840
But do you know how presumptuous you are?

107
01:04:02,250 --> 01:04:03,250
Yes, ready.

108
01:04:04,310 --> 01:04:06,410
Why didn't you wait for me outside the
school?

109
01:04:08,410 --> 01:04:10,350
I'm so sorry, but I don't feel like it
talk, okay?

110
01:04:10,970 --> 01:04:12,330
Let's talk later.

111
01:04:12,550 --> 01:04:13,550
Why? What do you do?

112
01:04:15,230 --> 01:04:17,690
Look, fuck you, okay? We will see each other
Tomorrow.

113
01:04:20,950 --> 01:04:21,950
Who was he?

114
01:04:22,290 --> 01:04:23,290
Era Greg.

115
01:04:23,330 --> 01:04:25,890
This Greg is a pain in the ass. Yep, you have
reason

116
01:05:30,350 --> 01:05:31,350
Thank you.

117
01:16:30,240 --> 01:16:31,240
Thank you.

118
01:18:08,170 --> 01:18:11,430
Before going to the exam of the most
representative authors of this

119
01:18:11,430 --> 01:18:15,370
historical period, it is appropriate to
trace a panorama of the narrative that

120
01:18:15,370 --> 01:18:20,630
accompanies us until the Second World
War. Why did you attack my phone? I had

121
01:18:20,630 --> 01:18:21,790
to do it, I was studying.

122
01:18:23,330 --> 01:18:24,490
And with whom did you study?

123
01:18:25,210 --> 01:18:26,790
With Greg.

124
01:18:55,540 --> 01:18:57,220
Good morning, Professor. Good morning.

125
01:18:58,220 --> 01:18:59,480
Buongiorno, professore.

126
01:19:16,420 --> 01:19:17,740
Cosa c'è?

127
01:19:37,890 --> 01:19:39,050
Wait, wait a moment.

128
01:20:44,010 --> 01:20:45,010
Bye.

129
01:21:16,940 --> 01:21:21,880
But the most representative writer among
the Solariani is certainly Alessandro

130
01:21:21,880 --> 01:21:25,060
Bonsatti, and not because he is the
director of the magazine... Malcom,

131
01:21:25,460 --> 01:21:27,800
Malcom, what have you done? Why did you
go in this way?

132
01:21:28,060 --> 01:21:29,060
Nothing.

133
01:21:29,420 --> 01:21:30,980
Just a little scene.

134
01:21:31,260 --> 01:21:33,320
You'll see that in a while he comes back
and asks me for forgiveness.

135
01:21:33,680 --> 01:21:34,680
Ah, well.

136
01:24:14,820 --> 01:24:16,220
Oh.

137
01:24:57,580 --> 01:25:00,380
Oh, yeah.

138
01:25:24,360 --> 01:25:25,360
Yeah.

139
01:26:46,220 --> 01:26:47,220
Mmm.

140
01:29:18,920 --> 01:29:19,920
Okay.

141
01:29:49,650 --> 01:29:51,050
Yeah.

142
01:30:39,120 --> 01:30:40,120
Dove pensi di andare?

143
01:30:42,120 --> 01:30:44,540
Credi che non abbia visto quello che è
successo?

144
01:30:44,900 --> 01:30:46,740
Non sono mica nato ieri, bellezza.

145
01:30:47,440 --> 01:30:49,200
Ora tocca a me divertirmi, sai?

146
01:31:33,960 --> 01:31:37,800
So, Miss Marchetti, tell me about
Alberto Moravia and his first novels.

147
01:31:38,000 --> 01:31:39,960
Well, Alberto Moravia was born in Rome.

148
01:31:40,480 --> 01:31:41,299
That's the end.

149
01:31:41,300 --> 01:31:41,898
And then?

150
01:31:41,900 --> 01:31:43,320
Isn't that the one about the Ciociara?

151
01:31:43,850 --> 01:31:50,410
Yes, but... Lilla hasn't returned yet.
I think you pissed her off this time

152
01:31:50,410 --> 01:31:51,410
for real, my friend.

153
01:31:52,590 --> 01:31:54,310
He'll be crying in some corner.

154
01:31:54,630 --> 01:31:57,370
You will see that he will return soon and will be there
usual sheep as always.

155
01:31:58,410 --> 01:31:59,490
You're happy, everyone's happy.

156
01:34:40,750 --> 01:34:44,550
A very particular position in
oppositional literature is

157
01:34:44,550 --> 01:34:49,130
represented by the novels that... Where is it
gone, miss? I was in the bathroom,

158
01:34:49,130 --> 01:34:52,410
professor. Next time, before
leave the classroom, he asks my permission.

159
01:34:52,490 --> 01:34:53,690
Of course, professor.

160
01:34:54,030 --> 01:34:55,030
Excuse me.

161
01:34:55,830 --> 01:34:57,490
So where were we?

162
01:34:57,790 --> 01:34:59,310
Ah, yes, then.

163
01:34:59,810 --> 01:35:01,550
We were talking about Ignazio Silone.

164
01:35:02,150 --> 01:35:06,210
Fontamara was published in English
German in Zurich in 19... I'm sorry,

165
01:35:06,290 --> 01:35:09,890
I didn't want to make you suffer. Not
worry, it's all over now.

166
01:35:13,519 --> 01:35:16,820
In any case, I promise I won't make you
rap anymore.

167
01:35:17,040 --> 01:35:18,040
You're making me too drunk.

168
01:35:18,460 --> 01:35:20,000
Give me a kiss.

